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Cerrone France Because Music Malligator Preference Disco Funk 2016
Cerrone - Red Lips download mp3 flac
Performer: Cerrone
Title: Red Lips
Country: France
Genre: Electronic / Soul Funk
Style:Disco, Funk
Released: 28 Oct 2016
Catalog number: BEC5156643
Label: Because Music, Malligator Preference
MP3 album szie: 1090 mb
FLAC album size: 2168 mb
Download MP3 Download FLAC

Tracklist

1 Therapy
Bass – Robert "J.J." SmithDrums – CerroneFeaturing – James Hart Guitar – Kamil RustamHorns – Daniel FlamKeyboards – Skalp Mixed By – Richard TurekPercussion – Julien FavierPiano – Edward "Eddie" BrownWritten-By – Cerrone, J. Hart, Skalp
3:38
2 Move Me
Bass – Robert "J.J." SmithDrums – CerroneFeaturing – Brendan ReillyGuitar – Kamil RustamHorns – Daniel FlamKeyboards – Skalp Mixed By – Richard TurekPercussion – Julien FavierWritten-By – B. Reilly, Cerrone, J. Hart, Skalp
3:36
3 Illuminate Me
Bass – Skalp Drums – CerroneFeaturing – Sam Gray Guitar – Nile RodgersKeyboards – Dabeull, Skalp Mixed By – Richard TurekWritten-By – Cerrone, S. Gray, Skalp
3:16
4 Ain’t No Party (Like Monday Night)
Arranged By – Cerrone, Skalp Bass – Robert "J.J." SmithDrums – CerroneFeaturing – KieszaGuitar – Kamil RustamHorns – Daniel FlamKeyboards – Skalp Keyboards [Rhodes] – Edward "Eddie" BrownMixed By – Richard TurekPercussion – Julien FavierWritten-By – Cerrone, K. R. Ellestad, S. Hollander, Skalp
4:10
5 Take Over
Arranged By – Cerrone, Skalp Bass – J.J. SmithDrums – CerroneFeaturing – Brendan ReillyGuitar – Kamil RustamHorns – Daniel FlamKeyboards – Skalp Mixed By – Richard TurekPercussion – Julien FavierTalkbox – Olivier RuelWritten-By – B. Reilly, Cerrone, Skalp
3:22
6 C’est Bon
Drums – CerroneFeaturing – Aloe BlaccGuitar – Skalp Keyboards – Skalp Mixed By – Tony MaseratiWritten-By – Cerrone
 3:50
7 Red Lips
Bass – Robert "J.J." SmithDrums – CerroneFeaturing – Wallace TurrellGuitar – Kamil RustamHorns – Daniel FlamKeyboards – Skalp Mixed By – Alan BraxePercussion – Julien FavierPiano – Edward "Eddie" BrownWritten-By – B. Mitchell, Cerrone, Skalp
3:51
8 Kiss It Better
Bass – Robert "J.J." SmithClavinet [& Rhodes] – Edward "Eddie" BrownDrums – CerroneFeaturing – YasminGuitar – Kamil RustamHorns – Daniel FlamKeyboards – Skalp Mixed By – Richard TurekPercussion – Julien FavierWritten-By – Cerrone, Skalp , Y. Shahmir
 3:21
9 You Only Live Once
Bass – Robert "J.J." SmithDrums – CerroneFeaturing – Mike CityGuitar – Kamil RustamHorns – Daniel FlamKeyboards – Skalp Keyboards [Rhodes] – Edward "Eddie" BrownMixed By – Richard TurekPercussion – Julien FavierWritten-By – Cerrone, M. Flowers, Skalp
3:49
10 Steal Your Love
Bass – Robert "J.J." SmithDrums – CerroneFeaturing – Alexis TaylorGuitar – Kamil RustamHorns – Daniel FlamKeyboards – Skalp Keyboards [Rhodes] – Edward "Eddie" BrownMixed By – Richard TurekPercussion – Julien FavierWritten-By – Alexis Taylor, Cerrone, Greg Cerrone
 4:09
11 Jane
Bass – Robert "J.J." SmithDrums – CerroneFeaturing – Dax RidersGuitar – Kamil RustamHorns – Daniel FlamKeyboards – Skalp Keyboards [Rhodes] – Edward "Eddie" BrownPercussion – Julien FavierTalkbox – Olivier RuelWritten-By – Cerrone, N. Berger-Vachor, O. Ruel, Skalp
4:06
12 I Want
Bass – Robert "J.J." SmithDrums – CerroneFeaturing – Chelcee Grimes, Mike CityGuitar – Kamil RustamHorns – Daniel FlamKeyboards – Skalp Mixed By – Justin ShavePercussion – Julien FavierWritten-By – Cerrone, C. Grimes, M. Flowers, Skalp
3:59
13 Time Machine
Bass – Robert "J.J." SmithDrums – CerroneFeaturing – Sam Gray Guitar – Kamil RustamHorns – Daniel FlamKeyboards – Skalp Keyboards [Rhodes] – Edward "Eddie" BrownMixed By – Richard TurekPercussion – Julien FavierWritten-By – Cerrone, S. Gray, Skalp
4:51
14 2nd Chance
Bass – Robert "J.J." SmithDrums – Cerrone, Tony AllenFeaturing – Tony AllenGuitar – Kamil RustamHorns – Daniel FlamKeyboards – Skalp Mixed By – Tony MaseratiPercussion – Julien FavierPiano – Edward "Eddie" BrownWritten-By – Cerrone, Skalp
3:38

Versions

Category Artist Title (Format) Label Category Country Year
none Cerrone Red Lips ‎(CDr, Album, Promo) Because Music none Unknown
9029591184 Cerrone Red Lips ‎(CD, Album) Because Music, Malligator Preference 9029591184 2016
BEC5156644 Cerrone Red Lips ‎(CD, Album, Unofficial) Because Music BEC5156644 Russia 2016
BEC5156644 Cerrone Red Lips ‎(2xLP, Album, Red + CD, Album) Because Music, Malligator Preference BEC5156644 France 2016

Credits

  • Arranged By – Cerrone, Dabeull (tracks: 3, 6), Skalp (tracks: 1 to 5, 7 to 14)
  • Mastered By – Chab
  • Producer – Cerrone

Barcodes

  • Barcode: 5 060421 566436

Companies

  • Recorded At – Malligator Studio, Paris
  • Recorded At – Malligator Studio, West Hollywood
  • Mastered At – Chab Mastering
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Reviews: (13)
Reddefender
Reddefender
CERRONE goes pop? WHY? Can we blame Giorgio for this strange detour? C'mon! Where is that Cerrone magic? Where is DON RAY and his signature keyboard licks?Why all the generic pop vocals? No edge, no chances taken here.This does not sound like a Cerrone album to me at all. I will skip this one.
Nilarius
Nilarius
I personnaly don't like the track with Aloe Black wich sounds like apart from this album to me. But this is probably more a mater of taste I guess...For the rest this LP is 100% solid funk boogie stuff. After being surprised by the direction Cerrone took on this one I must admit that not so many funk albums contain as many good tracks as this one does. For 80's funk lovers this album is truly a must, very well produced and laced.
Melipra
Melipra
This ist what I said, or? "But I would tend to say that every hint of funk is entirely absent here."
Beazekelv
Beazekelv
I totally agree with REENO here. If this album would be sup-par funk/boogie, it probably could be fun. But I would tend to say that every hint of funk is entirely absent here. Especially 70s/80s funk/boogie. When I think about this album I guess that Cerrone wanted to participate in the developent of modern dance/funk music (as he originally did), but he totally confused progression with genericness and averageness here. The most frightening thing about the music is not the style (if funk, dance, MOR or anything) or the technical quality (it is fine), but just the randomness and indistinctness of it all. It sounds like a Madonna album with the total absence of passion and enthusiasm about making music in the first place. And this is really sad.
Zainn
Zainn
There is neither funk nor boogie anywhere here. This is a pop-dance album, and sounds very little like Cerrone at all.
Sadaron above the Gods
Sadaron above the Gods
I will never understand why some negative persons, supposedly music specialists, just miss the essential ...Instead of killing this release, they should clean their ears ... I'm just an amateur, funk vinyl collector but I know Cerrone from his Debut album and Cerrone always did "Disco" Style, first in a robotic Moroder style ... and that is the most noticeable thing, this is not a Disco LP, but a Funk 80's LP ! and Cerrone never did that before excepting some song with Jocelyn Brown on Cerrone VII ... So if something interesting must be said about this release, please note that you won't find this kind of album in all Cerrone's Discography ...Then I disagree with the music appreciation ... I found some solid tunes, solid rythmic pattern with Cerrone's Drums and a REAL slapping bass (or other pretty good bass lines), enough rare in "all keyboards/samplers" dance industry to be noticed ... great male and female vocals ... great keyboards from Skalp (I know him personnally and he did a great job on this one) ... some old style brass riffs ... funky guitars from Kamil Rustam, great guitar player (I follow this guy since Michel Jonasz, Preface ...) and another one from "the monster" Nile Rodgers ... For me and Funk 80's amateurs it's a great LP, not just one or two funky tunes like Bruno Mars or Breakbot as an example, but a full funk 80's LP ... we just ask more to make this kind of music present again !Of course it will not revolutionize the music industry but it doesn't deserve such a bad treatment .... ;)(Sorry for my poor and limited english)
Ƀ⁞₳⁞Ð Ƀ⁞Ǿ⁞Ɏ
Ƀ⁞₳⁞Ð Ƀ⁞Ǿ⁞Ɏ
It seems Cerrone fans sometimes have problems in reading original posts (and are good in interpretation). I never said that I am music specialist. I just gave my personal opinion (it's a review - and the review reflects my taste, but necessarily not my specialisation in music). My mother also heard the album and disliked it. She is definitively not a specialist, but an occasional listener of R&B and dance pop. And "real" specialists seem to agree with me. Paul Simpson at Allmusic wrote: "Certainly the musicianship and arrangements are impeccable, but even with differing vocalists, all of the tracks are so similar that it ends up being as tedious as the producer's later work."
Kazracage
Kazracage
I will never understand, why masters of the past (especially Funk and Disco producers) must release such lame und sub-par albums now, just because they can. I really felt awkward about Moroders "Deja-Vu" from 2015, but this Cerrone release is even worse: a mixture of generic sounding, overproduced, unmelodic, unmemorable, all-same sounding (and same brief) songs even not the mainstream radio listener will find any worthwhile. Not even the singers (after all including Alexis Taylor, Brandon Reilly, and Kiesza) can be really distinguished in front of the background of this run-of-the-mill 80s sounding pop of boredom. Sure, there will be some people liking it, because its listener friendly. But that is also part of the problem: It is not even bad in a distinct way, it won't rub anyones shoulder. It won't leave a mark on anyone. Not even a bad smell, with its aseptic production.
Winasana
Winasana
samplers did not exist in 1973. The technology simply was not there...so not sure what "sample" you speak of.
Bludworm
Bludworm
His 1980-1983 albums are great. As was 2002's "Hysteria".
Felhann
Felhann
No, Cerrone jumped the shark in 1979 with those LA - session musicians and they play country-rock.
bass
bass
While I appreciate that you gave an answer, I don't really see a relation to my original post. I never would disagree in saying that Funk and Soul is a development of basic R&B (commercialization ok, but too strong for me), but I never spoke about R&B and commercialisation in the first place. The music of Cerrone and Moroder was HEAVILY commercial from the outset (in every drawer they worked in, for Moroder everything from German Schlager to Eighties AOR). And I don't see anything bad in that. I still appreciate "I feel love", even if it is available on every lame disco compilation and played to death in the radio. And I don't really get what "those caramel substitute names" are (the singers I mentioned?). I don't see any problem in making commercial funk, R&B, dance or disco music. Recently Solange Knowles made a very good attempt at intelligent AND commercial R&B (imho). I simply don't see why one should make this uninspired music (maybe for hardcore fans only). This music - one can say today - neither had a commercial value (it didn't sell well), nor it was liked by critics (Metacritc rating: 45/100). And I don't want to p*** on the shoes of Cerrone fans. I also liked and admired his late 70s and early 80s work. But what is this?
Danskyleyn
Danskyleyn
In Discogs terms funk/soul it's a commercialization of basic R&B. But the Disco in the 70s has more rock influences directly from 40s: 4/4 beat to the late 60s heavy metal chords. Cerrone's production basically the same as in 1976 except Supernature was a good sample of that "bridge" from Snoopy's Search/Red Baron (1973) and now those caramel substitute names that you mentioned sampled Cerrone...no more, no less.