Kanye West - Late Registration download mp3 flac

Kanye West Canada Roc Fella Records Conscious 2005

Performer: Kanye West

Title: Late Registration

Country: Canada

Genre: Hip-hop RAP

Style:Conscious

Released: 2005

Catalog number: B000532502, B000481302

Label: Roc-A-Fella Records

MP3 album szie: 2080 mb

FLAC album size: 1961 mb

Download MP3 Download FLAC

Tracklist

1	Wake Up Mr. West Voice – DeRay	0:41
2	Heard 'Em Say Featuring – Adam Levine	3:24
3	Touch The Sky Featuring – Lupe FiascoProducer – Just Blaze	3:56
4	Gold Digger Featuring – Jamie Foxx	3:27
5	Skit #1	0:33
6	Drive Slow Featuring – GLC, Paul Wall, Tony Williams	4:32
7	My Way Home Featuring – Common	1:43
8	Crack Music Featuring – The Game Vocals – Charlie Wilson, Keyshia Cole, Tony Williams	4:31
9	Roses Vocals – Tony Williams	4:05
10	Bring Me Down Vocals – Brandy	3:19
11	Addiction	4:27
12	Skit #2	0:31
13	Diamonds From Sierra Leone (Remix) Featuring – Jay-ZProducer – Devo Springsteen	3:53
14	We Major Featuring – Nas, Really DoeProducer – Warryn CampbellVocals – Tony Williams	7:28
15	Skit #3	0:24
16	Hey Mama	5:05
17	Celebration Vocals – John Legend	3:18
18	Skit #4	1:19
19	Gone Featuring – Cam'ron, Consequence	5:33
20	Diamonds From Sierra Leone Producer – Devo Springsteen	3:58
21	Late	3:50

A1	Wake Up Mr. West Vocals [Additional] – DeRayWritten-By – G. Goffin, M. Masser
A2	Heard 'Em Say Engineer [Assistant] – Mike Mo, Nate Connelly, Taylor DowFeaturing – Adam LevineMixed By – Mike DeanProducer – Jon Brion, Kanye WestRecorded By – Andrew Dawson, Tom BillerVocals [Additional] – Adam Levine, Tony "Penafire" WilliamsWritten-By – A. Levine, G. Goffin, K. West, M. Masser
A3	Touch The Sky Engineer [Assintant] – Richard ReitzEngineer [Assistant] – Matt Green, Mike Mo, Nate ConnellyFeaturing – Lupe FiascoMixed By – Mike DeanProducer – Just BlazeRecorded By – Andrew Dawson, Anthony KilhofferWritten-By – C. Mayfield, J. Smith, K. West, W. Jaco
A4	Gold Digger Engineer [Assistant] – Matt Green, Mike Mo, Nate Connelly, Richard ReitzFeaturing – Jamie FoxxMixed By – Mike DeanProducer – Jon Brion, Kanye WestRecorded By – Andrew Dawson, Anthony Kilhoffer, Tom BillerScratches – A-TrakVocals [Additional] – Don C., Plain PatWritten-By – K. West, R. Charles, R. Richard
A5	Skit #1
A6	Drive Slow Engineer [Assistant] – Mike Mo, Nate Connelly, Richard ReitzFeaturing – GLC, Paul WallMixed By – Mike DeanProducer – Kanye WestRecorded By – Andrew Dawson, Anthony Kilhoffer, Richard ReitzVocals [Additional] – Paul Wall, Tony "Penafire" WilliamsWritten-By – K. West, L. Harris, P. Slayton
B1	My Way Home Engineer [Assistant] – Taylor DowFeaturing – CommonProducer – Kanye WestRecorded By, Mixed By – Andrew DawsonWritten-By – G. Scott-Herron, K. West, L. Lynn
B2	Crack Music Engineer [Assistant] – Matt Green, Richard ReitzFeaturing – The Game Mixed By – Andrew DawsonProducer – Jon Brion, Kanye WestRecorded By – Andrew Dawson, Anthony Kilhoffer, Brian SumnerVocals [Additional] – Charlie Wilson, Keyshia Cole, Tony "Penafire" WilliamsWritten-By – J. Taylor, K. West, W. Meeks
B3	Roses Bass – Keenan "Keynote" HollowayEngineer – James Auwarter, Nate Connelly, Richard Reitz, Ryan NeuschaferKeyboards – Ervin "EP" PopeMixed By – Craig BauerProducer – Kanye WestRecorded By – Anthony Kilhoffer, Brian SumnerVocals [Additional] – Tony Williams Written-By – B, Withers, K. West
B4	Bring Me Down Arranged By [String & Brass] – Jon BrionBass Trombone – Bruce OttoCello – Armen Ksajikian, Matt Cooker, Richard Dodd , Victor LawrenceContrabass – Denise Briese, Frances, Senger, Jason TorreanoEngineer [Assistant] – James Auwarter, Matt Green, Mike Mo, Nate Connelly, Richard Reitz, Ryan NeuschaferFeaturing – Brandy French Horn – Brad Warnaar, Richard ToddMixed By – Craig BauerOrchestrated By [String] – Eric GorfainProducer – Jon Brion, Kanye WestRecorded By – Anthony KilhofferRecorded By [Strings] – Tom BillerTrombone – Andrew Martin, Steve HoltmanTrumpet, Flugelhorn – Dan Fornero, Gary GrantViola – David Sage, Marda Todd, Piotr Jandule, Tom TallyViolin – Alyssa Park, Amy Wickman, Audrey Solomon, Daphne Chen, Eric Gorfain, Julie Rogers , Marisa Kuney, Susan Chatman, Terry Glenny, Victoria LanierWritten-By – A. Williams, K. West
C1	Addiction Engineer [Assistant] – James Auwarter, Richard Reitz, Ryan NeuschaferMixed By – Craig BauerProducer – Jon Brion, Kanye WestRecorded By – Anthony Kilhoffer, Tom BillerVocals [Additional] – StringsWritten-By – K. West, L. Hart, R. Rodgers
C2	Skit #2
C3	Diamonds From Sierra Leone (Remix) Drums [Live] – Michel GondryEngineer [Additional] – Jarred Robins, Richard ReitzFeaturing – Jay-ZGuitar – Dave TozerKeyboards – Tom CraskeyMixed By – Manny MarroquinProducer – Devo Springsteen, Devo Springsteen, Jon Brion, Kanye WestRecorded By – Anthony Kilhoffer, Tom BillerWritten-By – D. Harris, D. Black, J. Barry, K. West
C4	We Major Engineer [Assistant] – Mike Mo, Nate Connelly, Richard ReitzFeaturing – Nas, Really DoeMixed By – Mike DeanProducer – Jon Brion, Kanye West, Warryn "Baby Dubb" CampbellRecorded By – Anthony Kilhoffer, Tom BillerVocals [Additional] – Tony "Penafire" WilliamsWritten-By – A. Williams, K. West, L. Smith, M. Reid, N. Jones, R. Simmons, W. Trotter, W. Campbell
D1	Skit #3
D2	Hey Mama Engineer [Additional] – Matt Green, Richard Reitz, Taylor DowMixed By – Andrew DawsonProducer – Jon Brion, Kanye WestRecorded By – Andrew Dawson, Anthony Kilhoffer, Tom BillerVocals [Additional] – John LegendWritten-By – D. Leace, K. West
D3	Celebration Arranged By [String and Bass] – Jon BrionBass – Keenan "keynote" HollowayBass Trombone – Bruce OttoCello – Armen Ksajikian, Matt Cooker, Richard Dodd , Victor LawrenceContrabass – Denise Briese, Frances, Senger, Jason TorreanoEngineer [Assistant] – Matt Green, Richard Reitz, Taylor DowFrench Horn – Brad Warnaar, Rick ToddKeyboards – Ervin "EP" PopeMixed By – Andrew DawsonOrchestrated By [String] – Eric GorfainProducer – Jon Brion, Kanye WestRecorded By – Andrew Dawson, Anthony Kilhoffer, Tom BillerRecorded By [Strings] – Tom BillerTrombone – Andrew Martin, Steve HoltmanTrumpet, Flugelhorn – Dan Fornero, Gary GrantViola – David Sage, Marda Todd, Piotr Jandule, Tom TallyViolin – Alyssa Park, Amy Wickman, Audrey Solomon, Daphne Chen, Eric Gorfain, Julie Rogers , Marisa Kuney, Susan Chatman, Terry Glenny, Victoria LanierVocals – John LegendWritten-By – K. West
D4	Skit #4
D5	Gone Arranged By [String] – Jon BrionCello – Armen Ksajikian, Matt Cooker, Richard Dodd , Victor LawrenceEngineer [Assistant] – Richard Reitz, Taylor DowFeaturing – Cam'ron, Consequence Mixed By – Andrew DawsonOrchestrated By [String] – Eric GorfainProducer – Kanye WestRecorded By – Anthony KilhofferRecorded By [Strings] – Tom BillerViola – David Sage, Marda Todd, Piotr Jandule, Tom TallyViolin – Alyssa Park, Amy Wickman, Audrey Solomon, Daphne Chen, Eric Gorfain, Julie Rogers , Marisa Kuney, Susan Chatman, Terry Glenny, Victoria LanierWritten-By – C. Giles, C. Willis, D. Mills, K. West

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
B0004813-02	Kanye West	Late Registration ‎(CD, Album)	Roc-A-Fella Records	B0004813-02	US	2005
B0004814-02	Kanye West	Late Registration (Clean Version) ‎(CD, Album, Cle)	Roc-A-Fella Records	B0004814-02	US	2005
9885153	kanYeWest	Late Registration ‎(CD, Album, S/Edition)	Roc-A-Fella Records	9885153	UK	2005
DEFF 16415-1	Kanye West	Late Registration ‎(2xLP, Album, Promo, Edi)	Roc-A-Fella Records	DEFF 16415-1	US	2005
FPBCD 500	kanYeWest	Late Registration ‎(CD, Album)	Roc-A-Fella Records	FPBCD 500	South Africa	2005

Category	Artist	Title (Format)	Label	Category	Country	Year
B0004813-02	Kanye West	Late Registration ‎(CD, Album)	Roc-A-Fella Records	B0004813-02	US	2005
B0004814-02	Kanye West	Late Registration (Clean Version) ‎(CD, Album, Cle)	Roc-A-Fella Records	B0004814-02	US	2005
9885153	kanYeWest	Late Registration ‎(CD, Album, S/Edition)	Roc-A-Fella Records	9885153	UK	2005
DEFF 16415-1	Kanye West	Late Registration ‎(2xLP, Album, Promo, Edi)	Roc-A-Fella Records	DEFF 16415-1	US	2005
FPBCD 500	kanYeWest	Late Registration ‎(CD, Album)	Roc-A-Fella Records	FPBCD 500	South Africa	2005

Credits

Executive-Producer – G. Roberson, Kanye West, Kyambo "Hip Hop" Joshua, The Carter Administration
Producer – Jon Brion (tracks: 2, 4, 9 to 11, 13, 14, 16, 17, 20), Kanye West (tracks: 1, 2, 4 to 21)

Administrator [A&R] – Terese Joseph
Art Direction [A&R] – Hip Hop Since 1978
Art Direction, Design – Morning Breath Inc.
Co-producer [Executive] – Jon Brion
Coordinator [A&R] – Don C
Creative Director – Louis Marino
Executive-Producer – Gee Roberson, Kanye West, Kyambo "Hip Hop" Joshua, The Carter Administration
Lacquer Cut By – MS
Mastered By – Vlado Meller
Photography By – Sarah A. Friedman
Photography By, Coordinator [Art] – Kris Yiengst

Notes

Track 20 is a bonus track.
Track 21 is a hidden track.

Samples

1. Wake Up Mr. West contains excerpts from "Someone That I Used To Love" as performed by Natalie Cole.
2. Heard 'Em Say contains excerpts from "Someone That I Used To Love" as performed by Natalie Cole.
3. Touch The Sky contains samples from the Curtis Mayfield recording "Move On Up".
4. Gold Digger contains samples from the Ray Charles recording of "I Got a Woman".
6. Drive Slow contains a sample from "Wildflower" by Hank Crawford.
7. My Way Home contains a sample from "Home Is Where The Hatred Is" performed by Gil Scott-Heron.
8. Crack Music contains a sample of "Since You Came In My Life" as performed by New York Community Choir.
9. Roses contains a sample of "Rosie" as performed by Bill Withers.
11. Addiction contains elements of "My Funny Valentine" performed by Etta James.
13. Diamonds From Sierra Leone Remix contains a sample from "Diamonds Are Forever" performed by Shirley Bassey.
14. We Major contains a sample of the recording "Action" as performed by Orange Crush.
16. Hey Mama contains samples from the Donal Leace recording "Today Won't Come Again".
17. Celebration contains a sample of "Heavenly Dream" performed by the KayGee's.
19. Gone contains samples from the Otis Redding "It's Too Late".
20. Diamonds From Sierra Leone contains a sample from "Diamonds Are Forever" performed by Shirley Bassey.
21. Late contains a sample of The Whatnauts' "I'll Erase Away Your Pain".

Six-panel digipak.
Includes a sixteen-page booklet, double-sided poster and a coupon to win a chance to meet Kanye West & attend a video shoot.
Catalog number B000532502 is on the spine; B000481302 is on the disc.

Late Registration has catalog number B000481302 but has different matrix info.Includes insert.
A1: Contains excerpts from "SomeoneThat I Used To Love" as performed by Natalie Cole. Used courtesy of Capitol Records.
A2: Mixed for Dean's List Production. Adam Levine appears courtesy of J Records. Contains excerpts from "SomeoneThat I Used To Love" as performed by Natalie Cole. Used courtesy of Capitol Records.
A3: Lupe Fiasco appears courtesy of Atlantic Records/1st and 15th Productions, Inc. + contains samples from Curtis Mayfield recording "Move On" by arrangement with Warner Strategic Marketing.
A4: Jamie Foxx appears courtesy of J Records/Chameleon Ent./Foxx Hole + contains samples from Ray Charles recording of "I Got A Woman", by arrangement with Warner Strategic Marketing. Unichapell Music, Inc. & Mijac Music. All rights administered by Unichapell Music Inc.
A6: Paull Wall appears courtesy of Swisha Blast Entertainment + GLC appears courtesy of Good Music/Sony Records + Contains a sample from Hank Crawford recording, used courtesy of Sony BMG Music entertainment and Nettwerk Songs publishing.
B1: Common appears courtesy of Geffen Records + Contains a sampleof "Home Is Where The Hatred Is," pergormed by Gill Scott-Heron, used courtesy of RCA RecordsBMG Music entertainment. Written by Gil Scott-Heron, courtesy of Bienstock Publishing Company.
B2: Game appears courtesy of Interscope Records + Keyshia Cole appears courtesy of Interscope Records + Charlie Wilson appears courtesy of Jive Records + Contains a sample of "Since You Came In My Life" performed by New York Community Choir, used courtesy of RCA Records/BMG Music Entertainment. Written by W. Meeks.
B3: Contains samples from "Rosie", performed by Bill Withers. Used courtesy of Stll Bill Productions.
C1: Contains elements of "My Funny Valentine", performed by Etta James, used courtesy of RCA Records/BMG Entertainment.
C3: Contains a sample of "Diamonds Are Forever".Performed by Shirley Bassey.
C4: Contains a sample of the recording "Action" as performed by Orange Krush.
D2: Contains samples from the Donal Leace recording "Today won't Come Again".
D3: Contains a sample of " Heavenly Dream" performed by KayGee's
D5: Contains samples from the Otis Redding recording "It's Too Late"

Barcodes

Barcode (Scanned): 602498843680
Matrix / Runout (Mirrored): [Cinram logo] L387 B000481302 #50809Y22
Matrix / Runout (Mould hub): MADE IN CANADA 8
Mastering SID Code (Mirrored): L387
Mould SID Code: IFPI 6100

Barcode (Text): 6 02498 82404 7
Barcode (Scanned): 602498824047
Matrix / Runout (Record 1 Side A Runout etched): B0004813-01 LP 01 A MS
Matrix / Runout (Record 1 Side B Runout etched): B0004813-01 LP 01 B MS
Matrix / Runout (Record 2 Side A Runout etched): B0004813-01 LP 02 A MS
Matrix / Runout (Record 2 Side B Runout etched): B0004813-01 LP 02 B MS
Rights Society: BMI/ASCAP
Rights Society: BMI
Rights Society: BMI/Copyright Control/ASCAP
Rights Society: ASCAP

Companies

Phonographic Copyright (p) – Roc-A-Fella Records, LLC
Copyright (c) – Roc-A-Fella Records, LLC
Phonographic Copyright (p) – Island Def Jam Music Group
Copyright (c) – Island Def Jam Music Group
Manufactured By – Universal Music Canada Inc.
Distributed By – Universal Music Canada Inc.
Pressed By – Cinram
Glass Mastered At – Cinram

Licensed To – Capitol Records
Licensed From – EMI Music Marketing
Licensed From – Universal Music Enterprises
Licensed From – Atlantic Recording Corporation
Marketed By – Roc-A-Fella Records
Marketed By – Island Def Jam Music Group
Distributed By – Universal Music & Video Distribution, Corp.
Produced For – Very Good Beats
Produced For – Hip Hop Since 1978
Produced For – F.O.B. Entertainment
Produced For – N.O.C. Management
Produced For – Block Records
Manufactured By – Island Def Jam Music Group
Phonographic Copyright (p) – Roc-A-Fella Records, LLC
Phonographic Copyright (p) – Island Def Jam Music Group
Copyright (c) – Roc-A-Fella Records, LLC
Published By – Screen Gems-EMI Music Inc.
Published By – BMG Songs, Inc.
Published By – Warner-Tamerlane Publishing Corp.
Published By – Unichappell Music, Inc.
Published By – Golden Withers Music
Published By – Chappell & Co., Inc.
Published By – Williamson Music Co.
Published By – EMI Unart Catalog Inc.
Recorded At – Sony Music Studios, New York City
Recorded At – Grandmaster Recorders
Recorded At – Record Plant, Los Angeles
Recorded At – Chalice Recording Studios
Produced At – Sony Music Studios, New York City
Mixed At – Chalice Recording Studios
Mixed At – Sony Music Studios, New York City
Mixed At – Hinge Studios
Mixed At – Larrabee North
Mastered At – Sony Music Studios, New York City
Lacquer Cut At – Sony Music Studios

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Reviews: (30)

BoberMod

Kanye West. You either love him or hate him. Personal
feelings put aside, you cannot deny that the man has
talent (although his notorious ego has many times
prevented the due praise of his work). Many critics
have hailed West in the past year as the artist rose
quickly to superstar status largely on his intricate
funky soul sampled-based production paired with an
eccentric lyrical delivery mixed with commentary on
society and amusing wordplay. Though much of his
acclaim is based on the fact that his approach to his
hip-hop is unique in comparison to other acts, yet in
fact producers such as Pete Rock, Large Professor, and
RJD2 have been using a similar blueprint for quite
sometime. But what makes Kanye West novel is that he
is one of the few musicians to work with a
multi-platinum-selling artist and have a major-label
record deal while using that formula. His debut
release garnished immense praise with countless
mainstream rap club bangers, socio-politicaly themed
tracks, and an interesting use of samples backed by
attractive production design. In the interim West
continued producing and rapping with various artists
but many had thought that his second album would
make-or-brake the rapper in being a long-term success.

“Wake Up Mr. West”
Serving as the introduction track to the album,
Kanye’s desire to show the world that he was able to
make in spite of predictions that his style would not
catch on is clearly evident. His ego is still on the
rise folks!

“Heard ‘Em Say”
A very jazzy track and a soulful vocalist crooning set
the mood to the album. Deep baselines and a playful
piano medley drive the track. West delivers his social
and political lyrics questioning the so-called system
(American government and society). The decision to put
this track at the start of the album may show the
artist’s wish to be portrayed more as a humble
musician who is grounded in reality.

“Touch the Sky”
The lyrical content is more diverse than most
commercial rap songs and the track serves to blend
Kanye’s original style with a somewhat catchy
mainstream beat. The funky fingerprints of producer
Just Blaze are clearly evident throughout the track,
sounding similar to his work on previous Jay-Z albums.
A solid track that is likely to get airplay.

“Gold Digger”
Production-wise this is a very unique number. Instead
of using a dense melodic sample, Kanye West artfully
employs a mere vocal sample (courtesy of Ray Charles)
paired with Jamie Foxx as the backbone of the track.
As the song progresses, an intricate bass sound effect
is chopped up to deliver a fresh tune to the ears.
Lyric-wise the Chicago native falls into the age-old
trap of making the theme for his track based on the
chastisement of women who seek to manipulate men for
financial gain. Nothing new here…

“Drive Slow”
Another smooth cut along the lines of “Heard ‘Em Say”.
Here the listener will notice what makes this album
different than ‘College Dropout’. The work of
co-producer Jon Brion lifts the work to a higher level
than West could have done on his own. Brion gently
laces the track with a silky horn tune, transforming
the track from an album-filler into a highly artistic
performance.

“Crack Music”
As the title suggests, the theme of this cut is based
on the social, economical, political, and racial
dynamics that the crack-cocaine drug plays in the
United States. Further, Kanye metaphorically refers to the crack epidemic with the recent explosion of hip-hop into the mainstream of American. The literary double exposure is a great example of the lyrical abilities West posseses. Crack Music” is filled with many powerful statements such as the opening two bars which accuse the former president for intentionally spreading the drug in order to reduce the political power of African Americans, “How we stop the Blank
Panthers / Ronald Reagan cooked up an answer”. In comparison to the previous tracks the production is less detailed and at times sounds repetitively dull, relying mostly on heavy snare hits.

“Diamonds From Sierra Leone (Remix)”
This tracks jumps the album back into the familiar and
fresh sounding Kanye West song. Working with a bouncy
baseline, chimes, subtle piano rolls, solid drum hits,
and elaborate stringy synthesized effects, this remix
provides the listener with a feel-good vibe all
throughout. The word “diamonds” is used in duality by
Kanye, not only talking about the jewel, but to
symbolize the power of his fellow peers on the
Roc-a-Fella Record label. Former record owner Jay-Z
interrupts his protégé during the track to deliver a
verse, further complimenting the artists signed to the
label who will lead Jay-Z’s dynasty after his
retirement. Although an overall braggadocios themed
track, Kanye brings the topic of social injustice to
the table when mentioning the dire condition of
African diamond miners.

‘Late Registration’ uses much of the same formula that
made his debut release a sensation across the globe:
crafty employment of soul vocal and music samples laced over hip-hop drum patterns and lyrics that define his novel personality. Overall the album should live up to the expectations that Kayne West aficionados have been holding for over a year. Though falling short of being a classic, ‘Late Registration’ will no doubt elevate the prestige of West well into the next year to come.