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Morrissey - Live At Earls Court download mp3 flac

Morrissey - Live At Earls Court download mp3 flac
Performer: Morrissey
Title: Live At Earls Court
Country: Europe
Genre: Rock
Style:Alternative Rock, Indie Rock
Released: 04 Apr 2005
Catalog number: ATKCD014
Label: Attack Records
MP3 album szie: 2449 mb
FLAC album size: 2539 mb

Tracklist

1 How Soon Is Now?
Written-By – Marr, Morrissey
4:35
2 First Of The Gang To Die
Written-By – Whyte, Morrissey
3:48
3 November Spawned A Monster
Written-By – Langer, Morrissey
5:15
4 Don't Make Fun Of Daddy's Voice
Written-By – Whyte, Morrissey
2:57
5 Bigmouth Strikes Again
Written-By – Marr, Morrissey
3:20
6 I Like You
Written-By – Boorer, Morrissey
4:36
7 Redondo Beach
Written-By – Kaye, Smith, Sohl
4:07
8 Let Me Kiss You
Written-By – Whyte, Morrissey
3:36
9 Subway Train/Munich Air Disaster 1958
Written-By – Whyte, MorrisseyWritten-By [Subway Train] – Johansen, Thunders
3:16
10 There Is A Light That Never Goes Out
Written-By – Marr, Morrissey
4:50
11 The More You Ignore Me, The Closer I Get
Written-By – Boorer, Morrissey
3:52
12 Friday Mourning
Written-By – Whyte, Morrissey
4:32
13 I Have Forgiven Jesus
Written-By – Whyte, Morrissey
4:06
14 The World Is Full Of Crashing Bores
Written-By – Boorer, Morrissey
3:55
15 Shoplifters Of The World Unite
Written-By – Marr, Morrissey
3:21
16 Irish Blood, English Heart
Written-By – Whyte, Morrissey
2:49
17 You Know I Couldn't Last
Written-By – Whyte, Day, Morrissey
7:10
18 Last Night I Dreamt That Somebody Loved Me
Written-By – Marr, Morrissey
3:57

Versions

Category Artist Title (Format) Label Category Country Year
ATKDP014 Morrissey Live At Earls Court ‎(CD, Album, Dig) Attack Records ATKDP014 UK 2005
ATKCD014 Morrissey Live At Earls Court ‎(CD, Album) Attack Records ATKCD014 Brazil 2005
ATKCD014 Morrissey Live At Earls Court ‎(CD, Album) Attack Records ATKCD014 Australia 2005
06076-86012-2 Morrissey Live At Earl's Court ‎(CD, Album) Attack Records 06076-86012-2 US 2005
ATKDV014 Morrissey Live At Earls Court ‎(2xLP, Album) Attack Records ATKDV014 UK & Europe 2006

Credits

  • BassGary Day
  • Coordinator [Production]Brandi Whitmore
  • Crew [At The Helm]Jed Weitzman, Merck Mercuriadis, Peter Asher
  • Crew [Live Sound]Adam Scott , Kevin Moran , Malcolm Giles, Oliver Waring
  • DrumsDeano Butterworth
  • Engineer [House Mix]Dave Millward
  • Engineer [Monitor Mix]Dave Guerin
  • Guitar [Left], Clarinet, Congas, Backing VocalsBoz Boorer
  • Guitar [Right]Jesse Tobias
  • Keyboards, Trumpet, Percussion, Backing VocalsMikey V. Farrell
  • Mastered ByDoug Sax, Robert Hadley
  • Mixed ByNathaniel Kunkel
  • Photography By [Inside]Jed Weitzman
  • ProducerPeter Asher
  • Recorded ByTim Summerhayes
  • Recorded By [Assistant]Mat Wood, Ollie Nesham

Notes

Recorded live at Earls Court in London on the 18th of December 2004 in front of 17,183 people
Everything on this CD was recorded live. Nothing was added or replaced in the studio

℗ 2005
© 2005
Made in the EU

White sticker on jewel case front: The Best of Morrissey Live from London's Earls Court Christmas 2004

Barcodes

  • Barcode: 5 050749 301420
  • Label Code: LC6448
  • Matrix / Runout (Variant 1, 2, 4): deluxe ATKCD014 01
  • Matrix / Runout (Variant 3): [4x Universal Logo] ATKCD14 03
  • Matrix / Runout (Mould, Variant 1, 3): MADE IN THE UK
  • Matrix / Runout (Mould, Variant 2): MADE IN UK
  • Matrix / Runout (Mould, variant 4): (none)
  • Mastering SID Code (Variant 1 to 4): IFPI L136
  • Mould SID Code (Variant 1): IFPI 0470
  • Mould SID Code (Variant 2): IFPI 0451
  • Mould SID Code (Variant 3): IFPI 0472 / IFPI 04AJ
  • Mould SID Code (Variant 4): IFPI 04AB

Companies

  • Recorded At – Earls Court
  • Mixed At – Studio Without Walls
  • Mastered At – The Mastering Lab
  • Phonographic Copyright (p) – Sanctuary Records Group Inc.
  • Copyright (c) – Sanctuary Records Group Inc.
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Related to Morrissey - Live At Earls Court
Reviews: (1)
Goltigor
Goltigor
Am I the only one with a CD that sounds quite weird on You Know I Couldn't Last? For about a minute, the sound gets 'glitchy' - for lack of a better description. It is almost as if the sound was saturated, but in a digital way. Or if the sound turned to 8-bit instead of 16-bit.