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Soriah with Ashkelon Sain - Atlan download mp3 flac

Soriah with Ashkelon Sain - Atlan download mp3 flac
Performer: Soriah with Ashkelon Sain
Title: Atlan
Country: US
Style:Abstract, Avantgarde, Folk, Ambient, Overtone Singing
Released: 25 Aug 2009
Catalog number: PROJEKT232
Label: Projekt
MP3 album szie: 1327 mb
FLAC album size: 1172 mb

Tracklist

1 Yoallicuicatl 5:25
2 Cehui 8:03
3 Tonacayotica 6:22
4 Temictli Atlan 1:09
5 Citlalpol 6:00
6 Xopancuicatl 8:26
7 Atlan 4:29
8 Morguul 6:15
9 Borbak 9:44
10 Tona Atoyaatl 7:43
11 Amo Cahuit 12:21

Versions

Category Artist Title (Format) Label Category Country Year
PROJEKT232 Soriah with Ashkelon Sain Soriah with Ashkelon Sain - Atlan ‎(CD, Album, RE) Projekt PROJEKT232 US 2011

Credits

  • Lyrics BySoriah (tracks: 1 to 7, 10, 11), Traditional (tracks: 8, 9)
  • Mastered By [Digital Mastering]Doug Krebs
  • Music By, Composed By [Musical Compositions]Ashkelon Sain, Soriah (Enrique Ugalde)
  • Photography By [Firelight Soriah Photo]Lucretia Renée Rathmann
  • Photography By [Stone Photos], Graphic Design, Recorded By [Recording], Producer [Production]Sain
  • Photography By [Sunset Photos]Eveline Darroch
  • Synth, Chimes, Drums, Drum Programming, Electric Guitar, Effects [Special Effects], Sampler [Samples]Ashkelon Sain
  • Vocals, Igil, Fiddle [Byzaanchy], Doshpuluur, Conch, Shruti Box, Flute [Clay Flute], Whistle [Wind Whistle], Percussion, Bells, SynthSoriah

Notes

© 2009 Projekt Records ℗ 2009 Mazamaskape Music, BMI
Manufactured in the USA under exclusive license.

Barcodes

  • Barcode: 6 17026 02322 9

Companies

  • Phonographic Copyright (p) – Mazamaskape Music
  • Copyright (c) – Projekt Records
  • Recorded At – The Sunflower Garden
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Reviews: (1)
Madis
Madis
Soriah with Ashkelon Sain "Atlan" CD

The Mexican-American ritual performer, musician and trained Tuva throat singer Soriah aka Enrique Ugalde has teamed with recording artist, producer and composer Ashkelon Sain (Submarine Fleet, ex-Trance To The Sun) back in 2009 for this truly unique, exotic and adventurous journey. With three previous releases on Soriah's credit, "Atlan" is by far of the giant caliber. This album masterfully bridges ancient and modern, various exotic stringed instruments from Tuva Republic (Southern Siberian part of Russia) are used, like igil, byzaanchy (both bowed) or doshpuluur, plus more traditional instruments or objects like shruti box, clay flute, bells, conch, whistle... plus synthesizers, electric guitar, drums... plus "creme de la creme" of this album, Soriah's highly expressive and mesmerizing voice and Tuva throat singing, with lyrics in Aztec language of Nahuatl and two vocalizations are traditional Tuvan chants. Soriah's voice is definitely another absolutely unique instrument on this album. "Atlan" opens mysteriously and stunningly with instrumental and buzzing stringed performance entitled "Yoallicuicatl", great overture! Then follows "Cehui", brilliantly merging electronics, tribals and Soriah's voice magics into a composition that is, for me, one of many highlights and ultimate classic ready for Hall Of Fame induction!!! Muchas gracias, amigos!!! "Tonacayotica" is again dominated by Soriah's voice, where raw vocals interfere with whispering ones, and gentle mid-paced tribal rhythms and relaxing trancey tempos, all together perfectly boiled and balanced. Shorter "Temictli Atlan" is painted with strings and washes. "Citlalpol" is another instrumental piece, based around solo performances on bowed stringed instruments, have no idea which of them exactly are used, however, they sound highly expressive. Later the texture becomes more layered and active. "Xopancuicatl" is the most active, but very light composition with tranquilly melodious tempos spiced by voice wizardry of Soriah. Truly mesmerizing effect due to amazingly collided warm atmospherics, crispy rhythms and raw voice, another top notch contribution elegantly blending the past and the future!!! Title track "Atlan" belongs to deeply mysterious and ritualistic compositions on the album showcasing the power and mastery of Soriah's throat singing (one of the traditional Tuvan chants). A true shamanistic listening experience at its finest!!! But it all goes even beyond, "Morguul" is one of the highly active pieces where rhythms, melodies and voices create a truly unique blend that can be described as kind of "western tribal ritual ceremony". Man, this is really unbelievable and absolutely phenomenal!!! And the end is not here yet... "Borbak" gets much deeper with tranquilly floating atmosonics, significant flutes and whistles and deeply evocative voices, another giant on this journey! Instrumental "Tona Atoyaatl", that keeps on slower and darker route, with enormously imaginative crying bowed fiddle strings (igil or byzaanchy?), is as much graceful as its predecessor! And just the same can be said about the closing 12+ minutes hypnotizing opus "Amo Cahuit", the darkest droning piece on this 76-minute long pure blissful sacred inner journey!!! Soriah and Ashkelon Sain are true shamans, with "Atlan" at the very top of their virtuosity. Even if sounding totally different with their own, distinctive soundscaping and voice, I think late Jorge Reyes would be really proud to hear and see these guys. Yes, if you have a chance to catch them live, don't miss them, extraordinary lifetime sonic and visual experience guaranteed!!! Last but not least, new "Eztica" album is scheduled for release in October 2011 on Projekt. Now the question is how Soriah and Ashkelon Sain can top "Atlan"...? I will tell you in few months. Until then once again, muchas gracias, Maestros, for taking me on this wonderfully rich, breathtaking and unforgettable sonic exploration!!!

Richard Gürtler (Sep 03, 2011, Bratislava, Slovakia)