Performer:
Stravinsky, Ilya Gringolts, Petr Laul, Orquesta Sinfónica de Galicia, Dima Slobodeniouk
Title:
Music for Violin, Vol. 2
Genre:
Classical
Style:Modern
Released: 2018
Catalog number: BIS-2275
Label: BIS
MP3 album szie: 2555 mb
FLAC album size: 2808 mb
Tracklist
| 1 | Pastorale (1907, Arr. 1933) For Violin And Four Wind InstrumentsBassoon – Steve HarriswanglerClarinet – Juan FerrerCor Anglais – Scott MacLeodOboe – Casey Hill | 2:55 |
| 2 | Ballad (1928, arr. 1947) From the ballet The Fairy's Kiss | 3:06 |
| Suite Italienne (1925, arr. 1933) From ballet Pulcinella | (16:37) | |
| 3 | Introduzione. Allegro moderato | 2:08 |
| 4 | Serenata. Larghetto | 2:48 |
| 5 | Tarantela. Vivace | 2:02 |
| 6 | Gavotta con due Variazioni | 3:39 |
| 7 | Scherzino. Presto alla breve | 1:25 |
| 8 | Minuetto e Finale. Moderato - Molto vivace | 4:23 |
| Divertimento (1928, arr. 1932) From the ballet The Fairy's Kiss | (19:44) | |
| 9 | I. Sinfonia. Andante | 5:59 |
| 10 | II. Danses suisses. Tempo giusto | 4:31 |
| 11 | III. Scherzo. Allegretto grazioso | 2:50 |
| 12 | IVa. Pas de deux. Adagio | 2:52 |
| 13 | IVb. Variation. Allegretto grazioso | 1:18 |
| 14 | IVc. Coda. Presto | 2:07 |
| 15 | Variation d'Apollon (Apollon et les muses) From Apollon musagete, for solo violin and strings | 3:00 |
| Violin Concerto in D | (21:18) | |
| 16 | I. Toccata | 5:38 |
| 17 | II. Aria I | 4:07 |
| 18 | III. Aria II | 5:04 |
| 19 | IV. Capriccio | 6:13 |
| 20 | Elegie for solo violin | 5:14 |
| 21 | Tango Arranged By – Samuel Dushkin | 2:01 |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| BIS-2275 SACD | Stravinsky, Ilya Gringolts, Petr Laul, Orquesta Sinfónica de Galicia, Dima Slobodeniouk | Stravinsky, Ilya Gringolts, Petr Laul, Orquesta Sinfónica de Galicia, Dima Slobodeniouk - Music For Violin, Vol. 2 (SACD, Hybrid, Multichannel, Album) | BIS | BIS-2275 SACD | Europe | 2018 |
Credits
- Engineer – Jens Braun, Stephan Reh
- Executive Producer – Robert Suff
- Post Production – Jens Braun
- Producer – Jens Braun
- Technician – Graham Cooke
Notes
Equipment:BIS’s recording teams use microphones from Neumann, DPA and Schoeps, audio electronics from RME,
Lake People and DirectOut, MADI optical cabling technology, monitoring equipment from B&W, STAX and
Sennheiser, and Sequoia and Pyramix digital audio workstations.
Original format: 24-bit / 96 kHz
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